Emergence
wind ensemble, 9'
(2022)
Emergence is a natural phenomenon where complex structures and behaviours spontaneously arise from a collective of relatively simple elements. A lone ant might be insignificant but an ant colony is capable of building magnificent structures as a larger organism. A cell is only capable of accomplishing its relatively simple task but billions of them working together give rise to the intricate human body. Emergence is present anywhere we observe: from atoms to cells, cells to individual bodies, and individual bodies to societies. This idea is the primary inspiration for this piece, in which relatively simple motifs that occur in repetition work together to form more complex structures. I also took the idea of ‘emergence’ in its literal meaning as the action of emerging from something, represented by the recurring scalar ascents and upward-leaping calls. The piece is written during a time when the world is struggling to emerge from a global pandemic. I hope it provides the strength for us to push on, and serves as a reminder that some of the seemingly insignificant things we do are in fact vital for the very existence of our society.
Emergence was commissioned by the National University of Singapore Wind Symphony (NUSWS).
on the water I saw a dancing goose...
alto flute, 5'
This piece for solo alto flute is inspired by a pair of panel paintings by Japanese artist Maruyama Ōkyo (1733-1795), Goose and Reeds; Willows in the Moonlight, which I saw in the Metropolitan Museum of Art in New York City. The pair of panels both feature the water surface near its shore, with several distinct objects: a goose, and several branches of a willow tree. The artist is very minimalistic in his approach – the only signs of a water surface are a few waves across the entire panel. I was inspired by this idea and wanted to express it in this piece, where the tremolos represent the constant waves, and the added flourishes represent disturbances to the water by external objects.
(2018)